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He spent much of his fortune on medical treatment and, shortly before his death, was living in poverty, existing on charity from the Actors' Benevolent Fund. In 1971 Terry-Thomas was diagnosed with Parkinson's disease, which slowly brought his career to a conclusion: his last film role was in 1980.
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From the mid-1960s he frequently starred in European films, in roles such as Sir Reginald in the successful French film La Grande Vadrouille.
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His most creative period was the 1950s when he appeared in Private's Progress (1956), The Green Man (1956), Blue Murder at St Trinian's (1957), I'm All Right Jack (1959) and Carlton-Browne of the F.O. (1959).įrom the early 1960s Terry-Thomas began appearing in American films, coarsening his already unsubtle screen character in films such as Bachelor Flat, It's a Mad, Mad, Mad, Mad World and How to Murder Your Wife. He appeared on various BBC radio shows, and made a successful transition into British films.
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Upon his demobilisation, he starred in Piccadilly Hayride on the London stage and was the star of the first comedy series on British television, How Do You View?(1949). The experience helped sharpen his cabaret and revue act, increased his public profile and proved instrumental in the development of his successful comic stage routine. He spent several years appearing in smaller roles, before wartime service with Entertainments National Service Association (ENSA) and Stars in Battledress. His striking dress sense was set off by a gap of a third of an inch between his two front teeth.īorn in London, Terry-Thomas made his film debut, uncredited, in the 1933 film The Private Life of Henry VIII. He often portrayed disreputable members of the upper classes, especially cads, toffs and bounders, using his distinctive voice his costume and props tended to include a monocle, waistcoat and cigarette holder. There really is no band that can match OSees live, even when there’s no crowd, the gig is in the middle of the sun-baked Californian desert and half of the band are wearing face masks.Īll hail the sacred deities of modern rock n roll.Terry-Thomas (born Thomas Terry Hoar Stevens 10 July 1911 – 8 January 1990) was a distinctive English comedian and character actor who became known to a world-wide audience through his many films during the 1950s and 60s. Overall OSees are a rollercoaster thrill-ride of a live band that hurl you to the fringes of space itself before you nosedive into a crashing asteroid inferno that passes through the Earth’s crust and out the other side at lightspeed.
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The mind-melting ferocity of OSees didn’t let up one bit delving between their raucous psychedelia, krautrock, cauldronesque sludge, free jazz, space rock and frenetic fuzzed-out garage in a set that consisted of OSees favourites and songs never before performed live – no doubt future treasures from the forever growing OSees catalogue. Despite taking a turn into their proggier side alongside the stoner-sludge-psychedelic-rock, it was hard not to still create a small moshpit in the living room, along with Tis, the tiny dog, who was also present. Kicking things off with an Osees classic, “Carrion Crawler”, the San Francisco megalodons whirled up a searing sonic sandstorm in the middle of the desert before doubling-down with another big-hitter, “Come From The Mountain”. Whilst it doesn’t quite have the same element of being at a sweat-soaked live show, if anybody is going to knock it out of the park it will be the best live band in the world and the ever-prolific garage-rock, psychedelic warlords OSees (FKA Oh Sees/Thee Oh Sees) with their Levitation Sessions. The surreal element of watching a band from halfway across the world from the comfort of the living room will likely never actually feel anything but strange, even if it is quite the comfortable novelty.
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A FRIDGE full of beers pizza and chips in the oven, and a spread of crisps laid out: this is the ‘new normal’ for the live show experience during the Covid-19 pandemic.